Photo Set
Photo Set

lesstitsnass:

It’s a two-fer! Courtesy of @dcwomenkickingass, and specifically this post, I had to do an edit of these, while my storyboards wait. 

I’m not going to go into long explanations here, I hope the drawings do speak for themselves. In the first case, it’s a Land being Land, although I do have to say that he did give a butt to Silk, as opposed to his usual ablation of hips and gluteus maximi. However, he unfortunately did it wrong. 

Artistic anatomy is all about drawing structure, from the inside out. Your muscles by themselves can’t look right if they aren’t placed on top of a properly proportioned skeleton.  Boobs won’t look right if they aren’t drawn as following the curve of the ribcage, its center line, or the movement of the arms which either pull or push on the pectorals on which the breasts hang. The arms back mean the shoulders are lowered, and the angle of the hands will be different since there’s a 3/4 turn on the torso. It shows that Land is drawing by guessed shapes, copied contours and practiced repeated motions. There’s no real structure underneath his shapes.

And if we look at the legs, I can only picture Kitty Pride phasing out of a wall: the legs look like they got mangled up to look like stumps. But even structure-wise, there is no thought put into whether the pose actually works, which is why it looks so clumsy. The legs should be reversed due to the line of action that’s in the torso but not followed through into the pelvis and legs. And I’ve been using the coil technique a lot in order to make my volumes work - it should be obvious by the roughs above - which help me figure out things like foreshortening. 

Silk too was a problem of lack of structure, proportions all over the place, and lack of weight and purpose, but it felt moreso than Spiderwoman. I used the same pose Land did but worked out the skeleton first, using rotation arcs in order to properly proportion the length of the various limbs. I don’t know these characters and I might not have used these poses, but Silk here definitely looks like she’s dancing.

The variant cover by Manara looks like a pose right out of porn, pelvis up and cheeks spread, costume looking like body paint, and it makes me very uncomfortable. She doesn’t look like a superhero about to strike, she looks like she’s about to get… well, it’s a porn pose. This is sexualisation. It also reminds me of the Dog Bone sexy shape. 

So I turned the pose sideways to figure it out, and to see what would work better. The sideways pose as is, as you can see, is angled to do quite the opposite of ass-kicking. Were she to try to leap from that pose, she’d fall flat on her face. The second pose is the “coiled like a spring”, but in the camera angle of the cover, it’s an ugly, ugly pose. So I tried to do something in-between, and just by making the pelvis horizontal and lifting the torso off the ground, I’ve managed to move the center of gravity so her weight is on her feet instead of her knees, she can use her arms to maneuver in most directions, and you still get an interesting body shape to look at. I think this works better, and much more ready to spring into motion.

Wanted also to say thanks for all the reblogs, likes and recent follows! I appreciate each one of them, and it’s because you’re still sharing and commenting that I came back to do this. However I’m still really busy! I won’t be posting a lot, but I do plan on posting more than I have. Back to storyboards for me! 

(via mharmingway)

Source: lesstitsnass
Photo Set

solar-citrus:

I’ve received a lot of letters from artists asking to check out their artwork and their blog, and I’ve noticed that a lot of them openly write unhealthy amounts of negative comments about their artwork, it was super depressing, honestly.  :(
Confidence plays a very very important role as an artist, it’s what helps us learn and grow without the constant feeling of doubt and jealousy!  You are a unique individual who must go down your own unique path, and as scary as it sounds, you can’t rely on others to hold your hand all the way through.  You are the only one who can get yourself to where you need to go, and beating up your artwork is not the way!  Trust yourself and your abilities to make a change, and you can do anything!!

Love your art, love yourself!

(via theangrybee)

Source: solar-citrus
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andysuriano:

Samurai Jack Issue11 color scripts.

Of course I trust Josh Burcham 110%, so I did these mostly to help him identify details within my crazy line work.

PPF PUHLEEZE

I love these color scripts! All your inputs really helped me push myself and grow as a colorist <3 Keep em comin!

Source: andysuriano
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A little update on convention stuff, seems I’ll be able to make it out to Rose City Comic Con afterall! I got an email today about some extra spots opening up so i’m getting that squared away! Seems i’ll be seeing you guys in September afterall!

[i’ll still be at Wizard World Portland in January too!]

Answer
  • Question: Do you use any overlays or textures when you color? - Anonymous
  • Answer:

    I do! I have a texture set that i’ve concocted out of 3 or 4 different photo textures that I use a lot. I also use the color halftone filter a lot [i use whatever color i’m using over white for the filter, run it, and then i mess with the layer settings and stuff] on things [MTMTE type stuff mostly]

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xurvos:

Chromedome in palette 60 and pose 4H

wow!

(via serikaizumi)

Source: xurvos
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ceryskitty:

warlordenfilade:

fisitronsflame:

Can we talk about the beauty that is Guido Guidi’s variant cover for Drift: Empire of Stone #1.

oh holy hells I must have this on the wall of dratchet yesterday.

THIS IS BETTER THAN I COULD HAVE EVER POSSIBLY IMAGINED

(via serikaizumi)

Source: fisitronsflame
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whee!

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New solicits means new cover!

Lines by Nick, Colors by me!